Composition Mould

MediumResin; Wood; Stain

DimensionsOverall impression: 11" (L) x 4" (W). (A) 4 5/8" (W) x 3 1/8" (T) x 1/2" (deep). (B) 3 5/8" (W) x 3" (T) x 3/4" (deep at tip of muzzle). Base: 16 1/2" (L) x 8 3/4" (W) x 2 1/8" (T).

Credit LineGift of Mr. & Mrs. Elias Nassim

Object numberAF-X2023.3481

DescriptionThere are two motifs: (A) mythological fawn's face looking straight ahead; (B) lion's face looking straight ahead. They are set into a resin mold that is inset into a two-layer wooden base. (A) It appears to be a fawn's head with curls flowing out from the face on both sides. There appear to be two horn impressions at the top of the head. It is just a head (no neck). (B) It is a whiskered lion's head (no neck) with hairy mane and ears.Label TextThis antique composition mould represents a trade that was practiced in Virginia during the Revolutionary period and into the 19th century. It depicts a common design found in upper class homes and public buildings. Composition was a substitute for more laboriously produced ornamental plaster and carved wood and stone.

It is thought that the Adam brothers (Robert Adam 1728-1792) and John Adam (1721-1792)) played a major role in the initial manufacture of composition ornament on a grand scale. The Adam style demanded a large amount of delicate low-relief ornament. These moulds are for the production of such ornament in plaster, or in composition, usually a combination of whiting, glue, rosin and oil. The finished ornament was used on furniture and other objects as well as in the decoration of rooms.