Venison & Claret

Date1772

Maker M. Darly

Maker Mary Darly 1760 - 1781

Maker Matthew Darly ca. 1720 - 1780

OriginEngland, London

MediumHand-colored etching and line engraving

DimensionsOverall: 8 5/8 × 5 5/8in. (21.9 × 14.3cm)
Other (Plate): 7 × 5 1/16in. (17.8 × 12.9cm)

Credit LineMuseum Purchase

Object number1955-62,48

DescriptionUpper right margin reads: "22"
Lower margin reads: "VENISON & CLARET. or/ S.r Hump.y Bar.t of Glutton Hall./ Pub by MDarly Strand April 1.st 1772 according to Act."Label TextThe print is plate 22 from volume II of six volumes of Mary and Matthew Darly's "24 Caricatures by Several Ladies Gentleman Artists &c." The caricature depicts an imagined English aristocrat named Sir Humphrey Haunch, Baronet of Glutton Hall whose diet is associated with venison and claret. This print is a contrast to "Roast Beef & Port, Bully Bramble Esq.r Justice of Peace in Wasp Town." The two prints both poke fun of the gentry by playing off of one another and by pointing out the distinctions between large and small landholders.Their dress, titles, posture, physicality, and diets offer clues about their differences. For example, Port was associated with men of the middling sort or merchant class and claret was viewed as the beverage of the aristocracy.

The Darly's were a husband-and-wife team capitalized on the craze for caricatures, the practice of making a likeness with exaggerated mannerisms or features to create a comic effect, a form that was brought back by aristocratic Britons who visited Italy on the Grand Tour. The Darly’s catered to this audience by publishing a prolific assortment of caricature prints during the 1770s. Many of the Darly's satirized the manners and fashions of the macaroni, a term used to describe a sub-culture of fashionably dressed men during the period, and subsequently, regardless of subject, the Darly's prints were known as "macaroni prints."

Their most famous work was their encyclopedic "Caricatures" which included prints of macaroni’s as well as other interesting characters, such as macaronis, all based on their own drawings and those submitted to them by amateur artists lambasting their friends, artists, and other figures in London life. The front page of Volume I describes them as “…a Series of Drol[l] Prints consisting of Heads, Figures, Conversations and Satires upon the follies of the Age…” These prints were published in groups of 24, in six volumes that were published between 1771 and 1773. Colonial Williamsburg owns volumes 1-4.
ProvenanceBefore 1955, the Old Print Shop (New York, NY); 1955-present, purchased by the Colonial Williamsburg Foundation (Williamsburg, VA).