Mons.r Le Virtu

Date1771

Publisher Matthew Darly ca. 1720 - 1780

Publisher Mary Darly 1760 - 1781

Designer & engraver M. Darly

OriginEngland, London

MediumEtching with line engraving on laid paper with hand coloring

DimensionsOverall: 8 1/2 × 5 1/2in. (21.6 × 14cm)
Other (Plate): 6 1/4 × 4 1/4in. (15.9 × 10.8cm)

Credit LineMuseum Purchase

Object number1955-62,22

DescriptionUpper right corner: "21"
Lower margin reads: "MONS.R LE. VIRTU'/ Pub.d. according to Act of Parl.t Novr 3:.d 1771 by MDarly 39 Strand."Label TextThe print is plate 21 from volume I of six volumes of Mary and Matthew Darly's "24 Caricatures by Several Ladies Gentleman Artists &c." This caricature is thought to represent the famous London picture collector and dealer Dr. Bragge. His coat is long and lose, tan with a large red collar. He wears a little cocked hat and pince-nez glasses. His wig is conventional with a group of curls at the neck and bow. He appears to be studying something that cannot be seen by the viewer with great intensity.

The Darly's were a husband-and-wife team capitalized on the craze for caricatures, the practice of making a likeness with exaggerated mannerisms or features to create a comic effect, a form that was brought back by aristocratic Britons who visited Italy on the Grand Tour. The Darly’s catered to this audience by publishing a prolific assortment of caricature prints during the 1770s. Many of the Darly's satirized the manners and fashions of the macaroni, a term used to describe a sub-culture of fashionably dressed men during the period, and subsequently, regardless of subject, the Darly's prints were known as "macaroni prints."

Their most famous work was their encyclopedic "Caricatures" which included prints of macaroni’s as well as other interesting characters, such as macaronis, all based on their own drawings and those submitted to them by amateur artists lambasting their friends, artists, and other figures in London life. The front page of Volume I describes them as “…a Series of Drol[l] Prints consisting of Heads, Figures, Conversations and Satires upon the follies of the Age…” These prints were published in groups of 24, in six volumes that were published between 1771 and 1773. Colonial Williamsburg owns volumes 1-4.ProvenanceBefore 1955, the Old Print Shop (New York, NY); 1955-present, purchased by the Colonial Williamsburg Foundation (Williamsburg, VA).