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Musical Instruments

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The Foundation’s musical instrument collection was developed to illustrate the types of instruments known in Williamsburg, the colony of Virginia, and, to a lesser degree, the middle Atlantic and southern states. The collection covers the period from 1700 to about 1830, when musical instruments were on the verge of rapid technological change. The dominance of London-made instruments in the collection accurately reflects conditions in early Virginia. Not until a quarter century after the American Revolution did the great American musical instrument industry begin to flourish. The more broadly focused collection of folk musical instruments includes American-made examples of all periods. It features banjos, fiddles, zithers, hammered dulcimers, jaw harps, and such related objects as a music stand apparently made for shape-note singing books. The collection was launched in 1938 when a succession of musicians began their service as musical consultants to the Foundation. This predisposed the collection to its particular strength in keyboard instruments. Thirty-five early keyboards are now in the collection, along with one historic revival harpsichord made in 1908 by Arnold Dolmetsch in the Boston piano factory of Chickering & Sons. Keyboards include spinets, harpsichords, organs, grand pianos, and a vertical piano. Nearly half of the overall keyboard collection is composed of square pianos—a ratio of keyboard types that is not far from what might have been found in Virginia in the latter part of the collection timeframe.

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1992-146, Violin
Henry Jay
1750-1760
1993-10, Bow
Ca. 1760
1993-11, Bow
Ca. 1810
1993-172 (RG), Square Piano
John R. Watson
1993
1993-427, Pitch Pipe
1750-1850
1995-192, Fife
1780-1840
1997-76,A, Harpsichord
Jacob Kirckman
1762
D2014-CMD. Square piano 1997-117
Jacob Ball
ca. 1791
D2014-CMD. Harpsichord 1M 1997-227
Cusseneers
1726
1998-32, Violin
1760-1770
D2014-CMD. Grand piano 1999-236
James Ball
1794-1805
D2013-CMD. Grand piano 2000-67
William Stodart
1816